Difference between revisions of "Emily Anderson"
(New page: Emily R. Anderson Assistant Professor of English Related Links Creative Writing Program English Literature Program Years at Knox: Fall 2003 to present Education: Ph.D., English, 200...) |
Storispinner (talk | contribs) |
||
| Line 1: | Line 1: | ||
| − | Emily R. Anderson | + | Emily R. Anderson is an Assistant Professor of English. She has been at Knox since the fall of 2003. |
| − | Assistant Professor of English | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
Education: | Education: | ||
| Line 19: | Line 10: | ||
Similarly, I am interested in the ways film tells stories, often the same stories that narratives tell, while the camera represents subjectivity in a fundamentally different way. In my previous work, I have focused on gothic novels and films and the ways they reflect a community's larger cultural concerns." | Similarly, I am interested in the ways film tells stories, often the same stories that narratives tell, while the camera represents subjectivity in a fundamentally different way. In my previous work, I have focused on gothic novels and films and the ways they reflect a community's larger cultural concerns." | ||
| + | |||
| + | [[Category:Faculty]] | ||
Revision as of 09:47, 4 March 2009
Emily R. Anderson is an Assistant Professor of English. She has been at Knox since the fall of 2003.
Education: Ph.D., English, 2003, University of California M.A., English and American Literature, 1997, Mills College B.A., English and History, 1995, Willamette University
Professional Interests: "My academic interests center on theories and histories of the novel and its development throughout the eighteenth and nineteenth centuries. Specifically, I work on the implications of a narrator's point of view, the way reliability or unreliability shapes a narrative, and the interplay between forms and genres.
Similarly, I am interested in the ways film tells stories, often the same stories that narratives tell, while the camera represents subjectivity in a fundamentally different way. In my previous work, I have focused on gothic novels and films and the ways they reflect a community's larger cultural concerns."